Skip to main content

Every Day is "Fry" Day

     Cody Fry is a grammy nominated singer songwriter based in Nashville Tennessee. He has a rich musical heritage as his father, Gary Fry, is an Emmy winning composer, arranger, producer, conductor and music educator with an array of accomplishments ranging from his position as artistic consultant to the Dallas Symphony Orchestra to over 2500 nationally broadcast radio and television commercials for companies such as McDonalds, Sears, and United airlines. Having been surrounded by the sounds of a variety of orchestral compositions and arrangements, Cody's love for orchestral music was born in him at a young age. Despite his father's impressive accolades, Cody struggled to find success as a solo artist at first, mostly following in the footsteps of his father as a composer for campaign ads, commercials and brands such as Netflix and Google. In an attempt to further his solo career he auditioned for American Idol Season 14 in 2015 at the age of 24, but didn't make it far past the show's first round of auditions. Though Cody's music found some success on Spotify, it was not enough to afford him a full time career as a singer-songwriter. In 2021, six years after his American Idol audition, Cody's original song I Hear a Symphony unexpectedly went viral on TikTok despite the artist not even having an account on the app. Currently, I Hear a Symphony sits at over 85 million streams on Spotify. 

    In an interview with Lilly Eason for Atwood Magazine, Cody discusses a key shift in his growth as a composer: "I had this realization, cause I was doing a lot of media scoring and film scoring on the side because I love doing that orchestration study. And then I was doing singer songwriter stuff as an artist. And one day it hit me I was just like, why am I keeping these worlds separate? Why can't I try to create something that involves all of those skills?" Some first fruits of this realization are his songs, "Flying," and "I Hear a Symphony," which are both accompanied by full orchestra. Additionally, his album titled "Flying" includes orchestral interludes "Wind at the Edge of a Cliff," and "From across the Room."     

(Atwood Magazine Interview)





    Cody on numerous occasions has described his musical genre as "orchestral pop." In a video posted to his social media accounts he answers the question: "Why make orchestral music." He states: "The kids that are learning orchestral instruments in school or, you know, in band and middle school, they look around and they see the orchestras going out of business. They don't hear any orchestral instruments in the music they actually listen to. They end up thinking to themselves, 'why am I doing this?' And I want to give those students an answer to that question of why am I doing this? And the reason is because your contribution to music is valuable." In a world where pop and classical genres seem to be more and more estranged from one another every day, Cody hopes to inspire young musicians to explore variety in musical genre by incorporating it into his own music. This unique merging of genres seems to be accomplishing his purposes as students on social media platforms are engaging with Cody Fry's music online. His audience only continues to grow as he promotes his music online. 



Cody's contribution to the musical sphere is unique as he seeks to set his own boundaries as a musical artist in 2022. In many ways, it is representative of the freedom many musicians and composers have today to explore their own styles whether they contribute to the canon or not. His recent rise to fame is also representative of pipeline changes as the rise of social media has given a platform to many musicians and artists looking to promote their work. Additionally, his desire to inspire young musicians to explore orchestral music is valuable in the pop saturated culture of today. 







 




Comments

  1. Hi Melodie,

    I really enjoyed Fry's I Hear a Symphony clip. I was very impressed by his use of TikTok to allow the audience to easily access to his music, but also his devotion to music education through his work.

    -Lydia Lee

    ReplyDelete
  2. Hi Melodie,

    I really enjoyed Fry's I Hear a Symphony clip. I was very impressed by his use of TikTok to allow the audience to easily access to his music, but also his devotion to music education through his work.

    -Lydia Lee

    ReplyDelete
  3. Hi Melodie! First of all, I love your clever title! I really appreciated your highlighting of Cody’s Dad’s influence on his career, and that it didn’t originally help him out in the business. I found that so interesting, it was really unexpected. Auditioning for American Idol was also unexpected and I found it really surprising that he did not make it that far on the show. I remember his piece I Hear a Symphony getting really big on Tik Tok, I can’t believe that that was his first big hit with 85 million streams. I think he’s the defining person in “orchestral pop”, I’ve never heard another person do anything quite like what he is. As a vocalist, he is certainly changing what it means to perform with an orchestra. He’s really branching out from the standard aria with orchestra structure for vocalists, and this is so needed (and appreciated!). I think he is definitely already achieving his goal to inspire young musicians by his blending of genres. Thanks for this post! -Abby Ryan

    ReplyDelete
  4. Hi Melodie! Thanks for sharing your blog and beautiful music. It impressed me his genre "Orchestral pop." And I was happy to feel his love of classical music, especially in the field of the orchestra.

    ReplyDelete
  5. This is a surprisingly great approach to the popular music scene. He's meeting the industry in the middle it seems and is still able to put something out that's enjoyable even to the highly trained-highly jaded musicians! Great stuff.

    JO

    ReplyDelete
  6. Hi Melodie!
    I have to say that he is now on my list of favorite singers. Your presentation was interesting to me because I love to play in an orchestra but I also love pop music, especially ballads. That's why this singer was so attractive to me, and I started to follow him immediately. I want to know more about his upcoming works.
    Another thing I enjoyed during your presentation was the video you showed us. It was a nice show, having lights during the concert in a hall. I like when the formality that the concert halls use to have is taken it off ;)

    ReplyDelete
  7. Great post! I really enjoyed that clip of I Hear a Symphony. Classical music obviously has a problem with accessibility, so I'm glad to see there's someone like Cody who has this "orchestral pop" style that resonates with people closer to our age range.
    - Cameron

    ReplyDelete
  8. Hi Melodie! Thank you for making a blog about Cody Fry. When you did your presentation I was shocked I hadn't heard of him before because I can typically vibe with this style of music. Maybe because I was new to tik tok i didn't run into his videos. I loved the song you shared with us and am going to look more into his other works. Thank you for sharing! - Lydia Young

    ReplyDelete
  9. Getting my undergrad close to Nashville meant a lot of frequent visits for me! So seeing someone come from Nashville and being successful in our space is always a joy. His music was a new experience for me and while it might take some getting used to, I found it rather enjoyable on first listen. He may have to go into my rotation! -Zack T

    ReplyDelete

Post a Comment

Popular posts from this blog

Richard Blackford with the Bio Music

Richard Blackford was born in London in 1954. And he studied composition with John Lambert and conducted at the Royal College of Music, then with Hans Werner Henze in Rome. During studying in Italia, he was hailed by the Italian press as "the brightest new star in the constellation of the European avant-garde." On returning to London in 1977, he established the music theatre department at the London Academy of Music and Dramatic Art. While at the same time continuing his work on the opera 'Sir Gawain and the Green Knight.' During the 1980s, Blackford became increasingly involved in theatre and television. He composed incidental music for plays and a number of scores for television dramas and documentaries. And, He is the recipient of several awards, including the Houston Film Festival (First Prize), the Royal Television Society Award, the Mendelssohn Scholarship, and the Tagore Gold Medal. In his works, he has composed in virtually every genre; ballet, opera, orchestr...

John Williams (in the past 10 years)

John Williams is most well-known for composing recognizable themes and scores for Jaws, Star Wars, Superman, E.T., Harry Potter, and more. However, most casual listeners of film music (especially  among classical musicians) miss out on the wide variety of styles Williams utilizes throughout his works, beyond the famous main titles. I would like to present some of his lesser-known film works of the past ten years as a starting point for further listening. It is also important to mention that Williams has played a unique role in bridging the gap between film music and the concert hall. Williams originally studied piano at Juilliard before his composition career began. His classical background is evident in his large symphonic orchestration and neoclassical/neoromantic aesthetics. He is credited with bringing the orchestral sound to blockbuster film music in the 1970s, and he uses a Wagnerian leitmotivic approach to score with recognizable themes. Williams became the conductor for th...

Bernhard Gander

  Gander studied at the Provincial Conservatoire in Tyrolean State Conservatory in Innsbruck. He studies were marked with periodic meetings with Beat Furrer in Graz and the Electro Acoustic Studio at UPIC in Paris as well as the Swiss Centre for Computer Music in Zurich.  Gander’s compositional voice is marked by his contrarian style. Forgoing classical aesthetics, Gander opts for something more akin to a heavy metal show than a chamber concert. While his orchestrations appear to use the classical instruments, his works bare the influence of his attendance at many metal and rap shows as well as his interest in electronics.  In his work ' Take Five for Three ,' he forgoes the double bass and opts for electric double bass and two percussionists eliminating any pretense of a classical performance. I chose this work from the CD Polyglot, produced and commissioned by the Ensemble Moderne ensemble for Paul Canon. Paul notes how his relationship with Gander has pushed him t...