Anna Thorvaldsdottir is Icelandic composer known for her use of slowly evolving textures to create “landscapes” of sound. She’s worked with many wonderful ensembles such as the Berlin Philharmonic and the Spectral Quartet. I would put her music somewhere between George Crumb and John Luther Adams. Her scores have the intricacies and clarity of Crumb, and the slow evolving textures of Adams, but with her own unique spin. Something I found interesting about her scores is that she provides the same paragraph in almost all of her performance notes. When you see a long sustained pitch, think of it as a fragile flower that you need to carry in your hands and walk the distance on a thin rope without dropping it or falling. It is a way of measuring time and noticing the tiny changes that happen as you walk further along the same thin rope. Absolute tranquility with the necessary amount of concentration needed to perform the task. Her piece Ró, ...