Skip to main content

Alan Silvestri: Film Composers Assemble!


    Alan Silvestri is an American composer who first dreamed of being a jazz guitar player; he was born in New York City and raised in Teaneck, New Jersey. He spent two years at Berklee School of Music in Boston and later became a performer and arranger. Silvestri then made his way to Hollywood, where he successfully composed music for a film called "The Doberman Gang," He made a name for himself in the film composing world. In the 1970's Silvestri's part in a show called "CHiP's" got the attention of the filmmaker, Robert Zemeckis. Since then, their collaboration has created a dynamic duo as a genius composer and filmmaker making 21 films. Some films they've worked on together include the "Back to the Future" trilogy, the "Polar Express,"Forrest Gump," and recently "The Witches," and more. Silvestri's fantastic work on "Forrest Gump", got him awarded Oscar and Golden Globe nominations. 


   Silvestri has scored many films of all types of styles and genres. As most know him for action, adventure, sci-fi movies, he is also rounded in family films including "Parent Trap," "Stuart Little 1 and 2," "Lilo and Stitch," etc. While he has worked on many well-known films, some of his most famous work is in the Marvel Cinematic Universe (MCU). He composed for four films in the MCU, "Captain America: The First Avenger," "The Avengers," "Avengers: The Infinity War," and more recently "Avengers: Endgame. Being a part of this many films makes him the only composer to have this many in the franchise. 

   Silvestri's "The Avengers Theme," was first introduced in the franchises' "Avengers" movie in 2012. This theme can be recognized by most if you are familiar with the films. Silvestri allows listeners and film watchers to feel the scenes even more than they already perceive as they take in the music as well. Usually when watching, people don't fully realize that small musical moments are just as important as the bigger ones. An example of a big musical moment would be "The Avengers" theme as it is described as anthemic by Silvestri himself compared to a small moment which would be filler music throughout scenes as background music or a transition to the next scene. 



    Silvestris' work on Avengers: Endgame (2019) has been the most recent work that has had such an effect worldwide. His work on songs from the movie like "Portals" and "Main on End" grasped fans attention instantly. The reprise of the original Avengers theme happens throughout these songs, making a lasting statement as this is the saga's last installment. The famous theme stands out amongst other things, and you know what is happening or what is going to happen next as soon as you hear it. He describes the music in "Portals" as celebratory due to the events during the scene. Alan Silvestri has made his mark in the film composing world and, essentially, the music world as a whole, with his great works being shared globally through the love of film and music combined as one! 



(Portals from Avengers: Endgame)


(Main on End from Avengers: Endgame)




-Lydia Young


Comments

  1. Hi, Lydia. Your blog post was very interesting! I did not know who wrote the music for The Avengers, so it was interesting to read about his background. You make a great point about the way film composers use their music to evoke certain emotions.

    -Noah W.

    ReplyDelete
  2. I love it! I wish he could have scored more of the films, because it would have great to have more thematic continuity like you mentioned with the Avengers theme returning. I'd love to talk about this more because I'm a huge film music fan and have always wished that the scores could have been more consistent throughout the saga.

    ReplyDelete
  3. I like your mention how the small moments are as important as the grand moments in film music. I think most of us (especially musicians) recognize the grand moments - opening themes, leitmotifs, climaxes, etc. But we don't always realize how the in-between music is adding to our experience in watching films. I haven't seen any of the Avengers myself but I love this film music. I'll be looking up more music by Alan Silvestri!
    -Hyrum Arnesen

    ReplyDelete
  4. I really appreciated your presentation and exposure to a different genre of music than I typically think of in an academic setting. (I'm the one in the wrong! haha) Although the Marvel movies have taken over the world, I had never heard Silvestri's name before, and am curious as to what other films he has composed for!

    - Laura Ruple

    ReplyDelete
  5. Hi Lydia! Thanks for this great post on Alan Silvestri. I had no idea who he was prior to this and was so excited to learn that he worked on music for the Marvel franchise, these are some of my favorite movies! The Avengers Theme is so powerful and iconic and has been one of the post influential pieces of music in my lifetime. I remember feeling absolutely transported when the piece “Portals” came on in the theatre due to Alan’s artistry. It really enhanced the power of the scene with all of the Avengers and their allies coming in through Dr. Strange’s portals. It was epic! Thanks for introducing me to the person behind this iconic music!

    ReplyDelete
  6. Really glad to see Silvestri getting some recognition here, especially since he's such a prolific composer. I still get chills whenever I watch the climactic scenes from Back to the Future because of how powerful his score his. Of course, that "Portals" scene from Endgame is also brilliant.

    ReplyDelete
  7. Hi Lydia,

    Thank you for bringing Film Music into the blog! It's such an important part of recent music history and outside of Williams and Zimmer we do not discuss the composers enough. I wasn't aware of who composed the scores for the films, and will now listen for his style when watching.
    -Bryce Newcomer

    ReplyDelete
  8. Hi Lydia, thanks for sharing music and your blog. I have watched the movie Avengers and big fan for the movie. Unfortunately, I didn't know the name of the composer who composed the music Portals from Avengers. The music have powerful beats and beautiful melodies. I would like to hear and search the other of his music.
    - Haksung Lee

    ReplyDelete
  9. Hi Lydia! Like a lot of people, I did not know he was the man behind one of the MOST ICONIC THEMES of the decade, and thanks for writing about him! The grandeur of these scores I always found really compelling but also I like how you included the note about smaller moments and transitions being just as important, if not more. Thanks for such a great post and fun presentation too!

    ReplyDelete
  10. Hello Lydia!

    I think that everyone agrees that your blog was so interesting. I think your presentation gave us the opportunity to hear this music with new ideas, many times we only identified the music from movies because we related immediately with the scenes of the movie or the characters. Or at least that is my case, that's why I liked your presentation because you made me think about those composers and how they have innovated in the music that is created for films.

    Thanks,
    Citlalmina

    ReplyDelete
  11. It's crazy how much a soundtrack to a movie can strongly influence scenes. I watched Portals twice, once with my computer muted and the subtitles on and once with the volume full blast. I definitely felt more of the intensity and emotions with the volume on rather than just listening to it without sound. Thanks for sharing!
    -Taiga Benito

    ReplyDelete
  12. Finally getting to see the face behind some of my favorite film scores was really awesome! Seeing how he went from jazz performer to film composition was a very interesting read. Thanks for sharing! -Zack T

    ReplyDelete

Post a Comment

Popular posts from this blog

Bernhard Gander

  Gander studied at the Provincial Conservatoire in Tyrolean State Conservatory in Innsbruck. He studies were marked with periodic meetings with Beat Furrer in Graz and the Electro Acoustic Studio at UPIC in Paris as well as the Swiss Centre for Computer Music in Zurich.  Gander’s compositional voice is marked by his contrarian style. Forgoing classical aesthetics, Gander opts for something more akin to a heavy metal show than a chamber concert. While his orchestrations appear to use the classical instruments, his works bare the influence of his attendance at many metal and rap shows as well as his interest in electronics.  In his work ' Take Five for Three ,' he forgoes the double bass and opts for electric double bass and two percussionists eliminating any pretense of a classical performance. I chose this work from the CD Polyglot, produced and commissioned by the Ensemble Moderne ensemble for Paul Canon. Paul notes how his relationship with Gander has pushed him t...

Ostap Manulyak: Saltations

I wanted to discover more of electronic music in Ukraine and I decided to introduce you to Ostap Manulyak who was my teacher of electronic music in Lviv, Ukraine.  Ostap Manulyak is a Ukrainian composer, performer and initiator of various art projects, Candidate of Art History, Associate Professor of the Composition Department of the Lysenko Lviv National Academy of Music. He was born in Lviv in 1983. He studied as a composer at the Mykola Lysenko Lviv State Academy of Music (composition class of Prof. Viktor Kaminsky). He also participated in numerous master classes of new music under the guidance of such famous composers as: Samuel Andreev (Canada), Carola Baukholt (Germany), Stefano Gervasoni (Italy), Sergei Nevsky (Russia-Germany), Sergei Pilyutikov (Ukraine), Boguslav Sheffer Poland), Gerhard Stebler (Germany) and others. In 2018-19, as a Fulbright Scholar, he implemented his project at the Center for Computer Research in Music and Acoustics at Stanford University (Californi...

Hyejung Yoon

  “My works reflect my devotion to God, my love to my husband and children…and my life.” I recently had conversations with a composer, Hyejung Yoon . I had known her since August 2021, yet we seldom talked about her life and music. I got to learn more about this incredible person only recently. I am delighted to share her music on this blog.   Hyejung is a composer based in South Korea and the United States. She holds a DMA degree from CCM and worked with Professor Mara Helmuth during her years in school. Before 2014, she specialized in interactive computer music and serial music that recalls 18 th -century musical style. After her marriage, she ceased writing avant-garde and experimental music and turned her attention to acoustic music.   The first piece by Hyejung I would like to share with the readers is Duo for Two Violins (2012). Hyejung told me that this piece is “abstract but mathematical.” The work often evokes 18 th -century fugue and creates structural tension a...